Red Room

The Mix: Rebirth

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Feature

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The Mix: Rebirth - Feature -

Trigger Warning: Solen references personal experiences of abuse and trauma

Reborn

No scar is deep enough to stop us, imperfect as we are.

 

Crow

Aye aye here comes the dawn

chorus on sunrise prom

wild singing crow swoops past

dodging dog walkers in North Face jackets

There’s something I need

to show your patient parts

before plastic chairs and wind breakers

arrive to argue over Aldi burgers

Broken shells spill secrets

on spots reserved for laughing yacht yahs

and their macchiatos

metal detector treasure and morning

alarms beeping

You are heard

and I’ve no idea what to do by noon

I’d hate it if you were like them too.

 

Roll the Dice

 

the shoreline sighs

warm tongues in locked groove

shimmers over clear miles

stretched out in front of us

flesh shivers and bumps

brushed by sea breeze

against hips sand sings of

the dust crackle bonfire

look in your eyes

right now

and now

Sunrise

Shadow Work

These images and words are from an ongoing personal project, “Red Room”, in which I explore my autonomy, desires, grief and connections after abuse and medical trauma. They also featured in my recent NOW LOVE exhibition at Agitate in Edinburgh, alongside a series of black and white abstract nude self portraits.

I have the rare birth defect, Poland Syndrome, which affected the growth of my breasts (every shy teen girl’s nightmare). I’ve since had surgeries to “correct” the imbalance in appearance and have had a whole gamut of emotions and questions around how we judge bodies, those who’ve had cosmetic surgeries and the presumptions around our sexuality, intelligence and abilities made about small women with big boobs.

I have also recently been added to the never-ending waiting list for Autism and ADHD assessment. I spent the last 18 or so months learning about neurodivergent brains and processing all big life experiences again through this lens. Amongst those big experiences are past abusive relationships.

To create this body of work since becoming a solo parent, to explore the roles expected of mothers, regardless of how we’ve been treated and to work through finding my creative voice after many experiences of gaslighting and emotional abuse has been the most cathartic experience. We aren’t encouraged as adults to explore creative play as a healthy coping tool. We lean into unhealthier habits, tend to numb out the difficult, which invariably means numbing out the sheer joyful too. We aren’t meant to live in our wounds.

You can read about my experiences of Poland Syndrome, calling out abuse and giving alcohol, amongst many other rants on my blog, Lost & Found on solencollet.com.


Solen Collet

Solen Collet has been a full time commercial photographer for the last decade. Their day job is photographing people and the things they make -events, brand commissions and portraiture. In the background there’s always been a little exploration of creative ideas too, some cyanotypes, collaging and analogue photography along with the self portraiture. Since moving into a studio space at Out of the Blue Drill Hall at the end of last summer, Solen has been increasingly working on personal projects and exhibiting work in group shows around Edinburgh (resident exhibitions at Drill Hall along with a recent show at Sett Studios) and at the start of this year put on her first solo exhibition - NOW LOVE. She has work coming up in shows in a group show at Glasgow Gallery of Photography and in Edinburgh in the coming months.

https://www.solencollet.com/
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Waxing and Waning

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“Sometimes the Sun” and Other Poems