Misogyny in the music industry is finally getting the spotlight, prompting Shondra Bowie Riley to write a poem that examines the music she has listened to over the years and the messages they’re giving.

Are artistic representations of gender, ethnicity, and race historically accurate? Yao Xiao suggests you re-think Orientalist paintings and the context of the colonial gaze.

Black and brown women and birthing people are experiencing substandard care in the UK. How can we tackle birthing care inequality and where does it come from?

True & Woke present Five compelling portraits and audio narratives of women of colour who share lived experiences of racism by Photographer Nikki Kilburn

Inspired by Anjana Vasan's soul-warming album Strange Country Jukebox, this earthy and uplifting playlist is perfect for reflection and hunkering down this winter.

We explore a few of the reasons why marginalised groups are more likely to be affected by climate change and why climate change activists say the climate burden should be shared amongst us all.

Diane may never know the impact she had on my life. When I had a stroke and lost my ability to walk at the age of 38 (after having a baby, no less) I found strength and inspiration in having known her. I had seen the proof that disability doesn’t mean the end of a joyful and fulfilling life.

I’ve recently found myself immersed in women of colour’s stories and the latest news articles that urgently display the plague of gender-based violence against women. I look to these women’s stories to understand the healing process and cancel the message that we exist to be controlled, abused, silenced and discarded.

Researcher Geneva Brigg urges black women to renounce the title of ‘The Strong Black Woman’ because it negatively impacts mental health and well-being.

If folks cannot step out of white fragility to hear us, all the tools and resources we have are redundant festering on the scrapheap of the oppressed.

Angela & I are approaching our 50s and still friends. Our band practices are on cassette tape, and she says we’re not as bad as we remember. I don’t believe her, but it’s excellent thinking of those times. We are Lady Parts took me back into the beer-drinking band practices of The PO HOs.

It felt like when the Wizard of Oz was finally revealed to Dorothy. Everything I thought I had known was either a lie or only a fraction of the full picture.

As a bi-racial designer, BLM inspired me to work with fabrics reflective of my dual heritage and use a variety of methods to express my vulnerability as well as showcasing my unique take on living in Scotland at this precise moment in modern history.